klarnet<\/a>inin tonunu geli\u015ftirmeye ba\u015flam\u0131\u015ft\u0131r.<\/p>\n1841 – Adolphe Sax, bir C bas saksafon yapt\u0131 ve \u00fcnl\u00fc besteci Hector Berlioz’a kendi bestesini \u00e7alarak aleti g\u00f6sterdi. B\u00fcy\u00fck besteci enstr\u00fcman\u0131n e\u015fsiz sesinden ve \u00e7ok y\u00f6nl\u00fcl\u00fc\u011f\u00fcnden etkilendi.<\/p>\n
1842 – Adolphe Sax Paris’e gitti. 12 Haziran’da Hector Berlioz, Paris dergisinde “Journal des Debats” adl\u0131 saksafonu anlatan bir yaz\u0131 yay\u0131nlad\u0131.<\/p>\n
1844 – Adolphe Sax, saksafonunu Paris End\u00fcstriyel Sergisi arac\u0131l\u0131\u011f\u0131yla halka duyurur. Ayn\u0131 y\u0131l\u0131n 3 \u015eubat tarihinde, Adolphe’nin iyi arkada\u015f\u0131 Hector Berlioz koro \u00e7al\u0131\u015fmalar\u0131n\u0131 i\u00e7eren bir konser d\u00fczenledi. Hector’un koro \u00e7al\u0131\u015fmalar\u0131na Chant Sacre ad\u0131 veriliyordu ve bu \u00e7al\u0131\u015fmalar\u0131nda saksafona yer verdi. Aral\u0131k ay\u0131nda saksofon, Georges Kastner’in “Last King of Juda” operas\u0131 vas\u0131tas\u0131yla Paris Konservatuvar\u0131’nda orkestraya girmesini sa\u011flad\u0131.<\/p>\n
1845 – Frans\u0131z askeri bandosu bu s\u0131ralarda obua, fagos ve Korno kullanmaktayd\u0131, ancak Adolphe bunlar\u0131n yerine kullan\u0131labilecek Bb ve Eb saksofonlar\u0131n\u0131 geli\u015ftirdi.<\/p>\n
1846 – Adolphe Sax 14 varyasyona sahip saksafonlar\u0131 i\u00e7in bir patent ald\u0131. Bunlar\u0131n aras\u0131nda E flat sopranino, F sopranino, B flat soprano, C soprano, E flat alto, F alto, B d\u00fcz ten\u00f6r, C tenor, E d\u00fcz bariton, B flat bas, C bas, E flat contrabass ve F contrabass bulunmaktad\u0131r.<\/p>\n
1847 – 14 \u015eubat’ta Paris’te bir saksofon okulu kurdu. Askeri bir grup olan “Gymnase Musical” da kuruldu.<\/p>\n
1858 – Adolphe Sax Paris Konservatuvar\u0131’nda profes\u00f6r oldu.<\/p>\n
1866 – Saksafon patenti sona erdi ve Millereau, \u00e7atall\u0131 bir F # anahtar\u0131 bulunan saksofon patentini ald\u0131.<\/p>\n
1875 – Goumas, klarnetin Boehm sistemine benzeyen bir saksofonun patenti ald\u0131.<\/p>\n
1881 – Adolphe saksafon i\u00e7in ald\u0131\u011f\u0131 orijinal patentinin s\u00fcresini uzat\u0131r. Zilin Bb ve A’y\u0131 i\u00e7erecek \u015fekilde uzat\u0131lmas\u0131 ve aletin \u00e7ald\u0131\u011f\u0131 aral\u0131\u011f\u0131 D\u00f6rd\u00fcnc\u00fc Oktav tu\u015funa basarak F # ve G’ye kadar geni\u015fletmek gibi aleti de de\u011fi\u015ftirdi.<\/p>\n
1885 – \u0130lk saksofon ABD’de Gus Buescher taraf\u0131ndan yap\u0131ld\u0131.<\/p>\n
1886 – Saksafon tekrar de\u011fi\u015fti, sa\u011f C tril anahtar\u0131 geli\u015ftirildi ve her iki elin ilk parmaklar\u0131 i\u00e7in yar\u0131m delikli sistem yap\u0131ld\u0131.<\/p>\n
1887 – Artik\u00fcle edilmi\u015f G # Evette ve Schaeffer ve ayarlama halkas\u0131n\u0131n selefi Association Des Ouvriers taraf\u0131ndan icat edildi.<\/p>\n
1888 – Saksafon i\u00e7in tek oktav anahtar\u0131 ke\u015ffedildi ve d\u00fc\u015f\u00fck Eb ve C i\u00e7in silindirler eklendi.<\/p>\n
1894 – Adolphe Sax \u00f6ld\u00fc. O\u011flu Adolphe Edouard i\u015fi devrald\u0131.<\/p>\n
Adolf’un \u00f6l\u00fcm\u00fcnden sonra saksafon de\u011fi\u015fime u\u011frad\u0131, saksafon kitaplar\u0131 yay\u0131nland\u0131 ve besteciler \/ m\u00fczisyenler saksafonlar\u0131 performanslar\u0131na dahil etmeye devam etti.<\/p>\n
1914’te saksafon caz gruplar\u0131na girdi. 1928’de Sax fabrikas\u0131 Henri Selmer Company’ye sat\u0131ld\u0131. Bug\u00fcne kadar pek \u00e7ok m\u00fczik aleti \u00fcreticisi kendi saksafon dizisini yarat\u0131yor ve saksafonlar caz gruplar\u0131nda \u00f6nemli bir yer tutmaya devam ediyor.<\/p>\n","protected":false},"excerpt":{"rendered":"
Saksofon, caz gruplar\u0131nda tek sazl\u0131 bir m\u00fczik aleti olarak bilinmektedir. M\u00fczik ge\u00e7mi\u015fi a\u00e7\u0131s\u0131ndan di\u011fer m\u00fczik aletlerinden daha yeni oldu\u011fu bilinen saksofon, Antoine-Joseph (Adolphe) Sax taraf\u0131ndan icat edildi. Adolphe Sax 6…<\/p>\n","protected":false},"author":1,"featured_media":8702,"comment_status":"open","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[15],"tags":[904,1019,3077],"class_list":["post-8701","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-eglence","tag-muzik","tag-muzik-aleti","tag-saksafon"],"_links":{"self":[{"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/posts\/8701"}],"collection":[{"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=8701"}],"version-history":[{"count":1,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/posts\/8701\/revisions"}],"predecessor-version":[{"id":8703,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/posts\/8701\/revisions\/8703"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=\/wp\/v2\/media\/8702"}],"wp:attachment":[{"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=8701"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=8701"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.ilkkimbuldu.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=8701"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}